LPC Paper

Duration 6 months

Size 189*126mm(folded)
378*504mm(unfolded)

Material 100gsm Ivory paper

Print Pantone 805U
Pantone 806U

Client Les Petite Choses Production

Position Editor-in-Chief(Creative Direction & Copywriter)

Team SHEN YenLin(Visual Design)

Photos Les Petite Choses Production
SHEN YenLin

Les Petite Choses Production is one of the most diversified and cross-disciplinary non-profit dance groups in Taiwan. After its transformation into a performing arts cooperative since August 2020, the co-op needs a new branding and growth hacking initiative, and this starts with LPCP's first introductory pamphlet.


Challenge

Two critical challenges needed to be resolved. First is sustainable utility. Nowadays, the role and functions that printed matters play must be reconsidered and carefully designed. Second is content. Editor-in-Chief needs not only integrating huge amount of information about LPCP's history and project info(2014-2021) but also come up with the initial proposal of this new pamphlet, concisely addressing the essential info while delivering its core value and smartly manifesting the mission.


Strategy

To simplify and frame information that makes communications user-friendly and pleasant, we utilize various dots of different sizes and colors as the key signage to guide the vision of audiences whereby they could understand LPCP's storyline in an intuitive and aesthetic experience. Furthermore, audiences are invited to unfold the pleasure of reading by literally 'connecting the dots visually and cognitively', enjoying the abundancy of printing dots while the action itself embodies the spirit of collectivity and cooperation.


Feature

As propaganda material, this pamphlet acts as an efficient communicative medium, unfolding a beautiful journey of storytelling between the audience and the brand. Before the audience receives the pamphlet, the pinky dot sticker will be put on gently, sealing the whole package by the sender like a token of gratitude. Once the audience receives it, the experience of unpacking will be like opening up a gift box. Each part of informative content was streamlined to less than 300 words with a specific QR code that lets them understand the basics or the full story, leaving space for the audience to reflect and engage while the QR code collected the de-identified behavior of a person who scans 'more info' for analytic uses.


The final pamphlet consists of two posters that were folded in different ways and divided into four different visions. Through the interactive folding of the two posters and creative ingenuity, the audiences no longer treat it as disposable consumables and, at the same time, increase the value of collecting. Besides delivering a clear and democratic brand image(each dot represents LPCP's member that constitutes the co-op) and helping LPCP be more remembered and impressive, the key events that occurred since its establishment are clearly summarized, and the performativity of content was sophisticatedly embodied through the narrative and the user experience.

Achievement

Platinum Award, Muse Creative Award

Annual Excellence Award, Communication Arts Design Competition

Gold Award, Indigo Design Award

Shortlist, Golden Pin Design Award

Project Details
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How might we growth hack through rebranding PR activities?
How might we growth hack through rebranding PR activities?

Lucky (YunCheng Chen)
is a trans-disciplinary design strategist, artivist, and researcher. He has lived in USA and Germany, advancing his studies under the guidance of Prof. Dr. Michael Erlhoff who first introduced the concept of Service Design.

3F., No.6, Sec. 1, Minsheng E. Rd., Zhongshan Dist., Taipei City 104011, Taiwan (R.O.C.)

                    News
⌒ 2023. 20th Apr~16th July. In residency at New Taipei City Art Museum,

                    Clients
NIKE, NCAA, Cathay Financial Holdings, StoryStudio, National Performing Arts Center (Taipei, Taichung, Kaohsiung sites), Taipei Fine Arts Museum, National Taiwan Museum of Fine Arts, Taiwan Design Expo, Creative Expo Taiwan, Nuit Blanche Taipei, Les Petites Choses Production, Turtle Island Community Development Association, Lightbox, Ministry Of Culture, Taipei City Urban Regeneration Office, Taipei City Office of Commerce, Tainan City Cultural Affairs Bureau, Tainan City Research, Development, and Evaluation Commission, and other public sectors

                    Distinctions-Award
⌒ 2022. Award of Excellence Communication Arts Design Competition / Platinum Winner Muse Creative Award/ Gold Award Indigo Design Award. Editorship and Creative Direction for 'LPC paper' ⌒ 2022. Crowdfund Annual Achievement Award. Initiator of 'Monday School'. zeczec ⌒ 2022. Awarded with Annual Performing Arts Group of Excellence for 'Les Petites Choses Production.' Taipei City Government ⌒ 2022. Awarded with 城崎国際アートセンター賞/Kinosaki International Arts Center Award. Dramatur of 'Beings' ⌒ 2021. Architanz Artist Support Award and Encouragement Award. Dramaturgy for 'Beings'. 27th Yokohama Dance Collection ⌒ 2021. Awarded with Annual Performing Arts Group of Excellence for 'Les Petites Choses Production.' Taipei City Government ⌒ 2019. Representative for "Taiwan Season" at Edinburgh Festival Fringe. Dramatur of 'Fighters' Ministry of Culture & Centre Culturel de Taïwan à Paris ⌒ 2014. Winner (Group category). Silicon Hill Residency Funding Program by Dr. Kai-Fu Lee ⌒ 2011. Global Winner. Corporate identity design for International WorkCamp Global LOGO campaign ⌒ 2011. Award Winner (Top 100) . iF Design Concept Award ⌒ 2011. Grant Receiver. Scholarship of Government Sponsorship for Overseas Study ⌒ 2008. Grant Receiver. Government Scholarship Program for Overseas Study in Arts and Design

                    Distinctions-Miscellaneous
⌒ 2022. Paper presentation. Action research 'A None-profit Dance Group Transforms into A Cooperative Playgroup Through Col-learning' in 5th Conference of the Asia Pacific Network for Cultural Education and Research (23 out of 58) ⌒ 2022. Paper presentation. ‘Contested Histories in Local Cultural Museum:Turtle Island Renaissance Civic Forum' in 10th International Biennial Conference of Museum Studies (45 out of 122) ⌒ 2022. Residency artist of New Taipei City Art Museum

陳運成 (Lucky) 是獨立接案的策略人、研究型藝術行動者。他推動小事製作數位轉型成為17人的開放共學合作社;培力龜山島社區藉由參與式民主處理迫遷爭議,重塑文化主體性。他目前在g0v發起#re-place創生社群,逐步在地方導入創新的「海村再生」品牌提案。

臺北市民生東路一段6號3樓,臺灣

現任 小事製作 和 海波浪文化 策略長、g0v 台灣零時政府 #re-place坑主。他曾於 2015 年共同創辦planett星球實驗創作空間、2018 年發起《週一學校》訂閱集資計畫,同年擔任臺北市都更處《臺北市社區工作智庫前置計畫》設計總監與維管顧問至今,並曾連續擔任三屆 TIFA 臺灣國際藝術節特別計畫《戰鬥果醬》製作統籌、2021 年全國文化會議數位策略長及第一屆北美館日《來串門子 一#美術館路》 策展人、擔任 2022 亞太文化教育及研究網絡雙年會 和 博物館研究國際雙年學術研討會 論文發表者;2023 年其共同策畫的數位再生旅遊提案 guPON 獲選為永續鄉郊-亞太區域合作計劃的臺灣代表,同年受邀前往 2023 歐盟數位協議峰會 擔任專家工作小組的引導師,並於 2024 年擔任國立臺灣歷史博物館《超時空島嶼餐桌》 NFT 設計總監、歐盟委員會 S+T+ARTS Prize 國際顧問。

他參與的戲劇構作曾受邀在多個場所呈現,包括法國夏佑國家劇院(2024)、馬德里放映機錄像藝術節 (2024)、葡萄牙吉馬列斯國際當代舞蹈節 (2024)、巴塞隆納花市劇院 (2024)、德國達姆施塔特州立劇院 (2023)、兩廳院臺灣週 (2023)、臺灣燈會 (2023)、新北市美術館 (2023)、希臘Spring Forward藝術節 (2022)、德國Tanz Kongress舞蹈年會 (2022)、總統文化獎開幕 (2022)、大溪大禧 普濟堂 (2022)、愛丁堡藝穗節臺灣季 (2021)、橫濱TPAM國際舞台藝術交流會 (2021)、CINARS加拿大表演藝術展會 (2021)、府中雙城 板橋慈惠宮 (2021)、寶藏巖光節開幕 (2021)、大溪大禧 李騰芳古宅 (2021)、臺灣文博會 (2019)、衛武營開幕季 (2019),並獲英國沙德勒之井劇院 玫瑰舞蹈獎決選、橫濱舞蹈節暨舞蹈大賽評審團大獎、studio Architanz藝術家支持獎。

他領導的設計專案與編輯刊物,曾獲台灣創意力100最佳風格創意團隊、國藝會TAIWAN TOP演藝團隊、連續三年臺北市文化局年度團隊、青年培力工作站、永續鄉郊-亞太區域合作計劃 臺灣代表、荷蘭靛藍設計獎視覺設計類金獎、美國傳達藝術設計類年度卓越獎、義大利A‘設計獎印刷與出版媒體銅獎、美國繆思創意出版類鉑金獎、嘖嘖群眾集資成就獎、自由之境(Shopping Design冬季號)封面人物、李開復矽谷創業支持計畫團體組首獎、iF概念設計獎Top 100、聯合國教科文組織下最大志工平台IWC國際共同Logo徵選冠軍、第一屆校園化裝全國邀請賽(台科大) 銀獎、蘋果日報與自由時報的頭版報導等。